Richard helped me to deliver the interactive mosaic cube that I created for Stamford, CT's upcoming Art Shapes! outdoor sculpture exhibition produced by Stamford Downtown Art in Public Spaces. Opening June 17 thru August 14, 2017. The shapes will be auctioned off in October. Honored and excited to have my work chosen for one of Stamford's signature exhibitions.
Honored and excited to have my Holy Cow! recycled art glass mosaic sculpture featured in Monmouth Museum's 38th Annual International Juried Art Exhibition opening January 14, 2017 through March 13, 2017.
Creating and installing a planter mosaic could be considered a mosaic artist right-of-passage. This job had its unique challenges that included weather conditions and source materials. Still, I am grateful for the opportunity to create a legacy mosaic for Stamford, CT. The recycled tile mosaicked planter will be place permanently inside a park along with a painted mural and sculptures. I will post more photos once the planter in moved to its permanent location. Gratitude. Onward!
One of 200 handmade ceramic tiles from the April Tony Moore Wood Firing in Coldspring, NY. I am ecstatic about the results. This is the beginning of a long creative process that will culminate in thousands of handmade sculptural tiles for a large scale installation I am working on. So, there are many, many more wood firings, gas reduction and alternative firings to go. The beauty rests within the process...Patience....Gratitude...
After both the anagama and noborigama were completely unloaded. Tony engaged everyone in a discussion of the kiln results. Tony described the particulars of the firing process, as well as the unique challenges that contributed to what was most unique about the April firing. Tony encouraged everyone to share special glazing and surface results.
It was my first time participating in an unloading from beginning to end. I found it to be incredibly educational. I was excited to see so much amazing work with breathtaking results. I am already looking forward to the July firing.
The anagama and noborigama were unloaded systematically; the pots were laid out on pallets according to where they were originally placed inside the kiln. Therefore, one could see the atmospheric effects on the works.
One of my fellow crew members at the Tony Moore April Wood Firing Kiln Unloading. That's me in the background!
Unloading the anagram and noborigama involves cleaning of the kiln shelves and bricks...That makes for lots of dust and flying particles. Therefore, gloves and masks are essential gear.
Seth pictured here working on cleaning off the kiln bricks. Seth is a ceramic teacher from Brooklyn. His sculptures were amazing.
Shelita Birchett Benash with Tony Moore, sculptor and kiln master. I've learned so much in the year that I've been firing with Tony. I've met so many amazingly gifted potters and sculptors. I've been able to experience a sense of community, creativity and sharing with potters and sculptors from near and far. Catherine Thomas drives down regularly from Canada!
Recycled materials have a way of telling me what they what want to be in their next life; my job is easier when I listen.
Mosaic Work in Progress. I am in the midst of creating a recycled tile and mixed media mosaic. Working with recycled materials creates design challenges. The materials dictate how the artist will manifest a design vision. Working with recycled materials successfully, requires the ability to sacrifice all knowing. Recycling is the process of reclaiming that which has been thrown away. Still, the various materials challenge one's sense of letting go of the past, while embracing the unknowns of the future. Recycling is a regenerative process. Subsequently, the artwork takes on the values of rebirth, renewal and reinvention. I am thrilled by the challenge and honored by the opportunity to create a mosaic that will bring light, beauty and sustainability to the Stamford, CT community.
A birthday present for a wonderful mom. Her sons said, "Don't come home without the glass dinosaur." My Starosaurus will live out his days sunning by a pool.
This large scale mosaic was greatly inspired by the Hindu reverence for the sacred cow. The precious quality of the salvaged art glass became the tool I used for adoration. THErefore, the "HOLY COW!" wears AN HEIRLOOM CRAZY QUILT MOSAIC BLANKET. The cow is strong, yet gentle. The cow is a nurturer and giver. The cow is fiercely kind. It is my intention that when people see themselves reflected in the "Holy Cow's" mirrored surface, that they will experience the same fierce nature of kind gentle beauty within themselves.
The inspiration for the Holy Cow! crazy quilt mosaic came from the lot of salvaged stained glass that I received from a retired glass artist. As I picked through the scrap glass, I discovered many beautiful bits of art glass. The sumptuous pieces of colorful and unusual glass took on textile like qualities to me. At one point in my artistic journey, I made art quilts. I also, designed and sold art wear clothing. I had even developed my own unique way of crazy quilting that I called Skitzoscrap. For years, I was an avid collector of vintage and antique textiles and lace, which I incorporated into my art wear designs. The small bits of beautiful glass began taking on that same precious nature that I found when handling vintage and antique textiles and lace. I was compelled to make a scrap quilt mosaic that would include vintage art glass, stained glass and mirror. I was excited to bring that celebratory, frugal, regenerative and dynamic nature of the crazy quilt, into my mosaic design. After all, quilts and mosaics are psychically bound art forms.
There are pieces of hand-rolled glass in my crazy quilt mosaic that are over 30 years old. I used many unique and precious pieces of art glass that will never be made again. Over several months, I created an heirloom stained glass and mirror mosaic crazy quilt to adorn my Holy Cow!
The Holy Cow! crazy quilt mosaic has inspired me to create a series of heirloom mosaic quilts from scrap glass. My love of quilting and textiles has come full circle in glass. Bliss.
Grouting the beast! WIP.
This photo was taken during the Monmouth Museum's "Night at the Museum" tour for the visually impaired and blind. I was told that the children really enjoyed interacting with the compelling sculptures in the "Please Touch!" exhibition. I'm honored to have my sculptures in this creatively inclusive show where the aesthetic sense of touch is celebrated and where art is opened up to new and underserved audiences. This photo of a visually impaired child interacting with my "Helios Horse" truly warms my heart.
This creative process is confounding and exhilarating. I've spent the last several months making the sculptural tiles and building the piece in my mind. This sculpture takes me back in time. Still, I push forward...
Instagram post from April 2015.
I had made enough work for a kiln load.
Excited to have three of my mixed media sculptures chosen for this wonderfully compelling and inclusive exhibition for the visually impaired.
Excited to be a featured artist in this wonderful article about the Stamford Downtown Dinosaurs Rule! outdoor sculpture exhibition that runs through an October charity auction.
Click the post title to read the article posted THEHOUR.COM.
Richard and I are honored to be participating artists in the fall outdoor sculpture exhibition on Saunders Farm in Garrison, NY. I'm currently, mosaicking a life-sized dairy cow. So excited. Will post WIP photos.