I am honored and thrilled to have my sculptural work in dialogue with the compelling works featured as part of New Directions '15 at the Barrett Art Center.
Jere Edmonds, producer of 5ONTHEGO, an arts and culture online show taped an upcoming episode with artists and members of the Monmouth Museum Board of Directors and Women's Auxiliary Committee. Thank you for a wonderful shoot, Jere!
Featured artists: Lisa Hirkaler, Kevan Lunney and June Keprow, President of the Monmouth Museum Friends of the Museum.
Grouting the beast! WIP.
This photo was taken during the Monmouth Museum's "Night at the Museum" tour for the visually impaired and blind. I was told that the children really enjoyed interacting with the compelling sculptures in the "Please Touch!" exhibition. I'm honored to have my sculptures in this creatively inclusive show where the aesthetic sense of touch is celebrated and where art is opened up to new and underserved audiences. This photo of a visually impaired child interacting with my "Helios Horse" truly warms my heart.
Richard and I will have sculptures featured in the outdoor sculpture exhibition on the 149 acre Saunders Farm in Garrison, NY. We are so very honored and excited to be participating in the 10th Year Anniversary of the Collaborative Concepts at Saunders Farm Project. It's a beautiful show that celebrates art, community and nature. Opening Saturday, September 5, 2-6PM (Rain dates: Sunday, September 6, or Monday, September 7.) Mid-Run Reception, October, 3, 2-6PM (Rain date: October 4. Last Day Exhibition is open to the public until dusk. October 31, 2015. Horses and cows roam the farm freely. Plan a God's Country picnic for day tripping the Hudson Valley. Hope you can make it!
The Farm Project 2015, Collaborative Concepts
Collaborative Concepts at Saunders Farm
We're celebrating our 10th ANNIVERSARY
this fall at Saunders Farm in Garrison, NY!
Saunders Farm is located on Old Albany Post Road, the historic earthen highway of the original route between New York City and Albany. The property begins with rolling pastures and culminates on a majestic ridge with 360-degree views of the Hudson Highlands. Black Angus cattle roam free. Sites for art range from intimate woody glens to open fields and dramatic vast expanses defined by stone walls.
This creative process is confounding and exhilarating. I've spent the last several months making the sculptural tiles and building the piece in my mind. This sculpture takes me back in time. Still, I push forward...
Instagram post from April 2015.
I had made enough work for a kiln load.
Honored to have my sculptural works chosen as part of this dynamic interactive sculpture exhibition that celebrates touch as part of the aesthetic appreciation of art. June 28 thru September 6, 2015
Excited to have three of my mixed media sculptures chosen for this wonderfully compelling and inclusive exhibition for the visually impaired.
Please Touch! Sculpture Exhibition at the Monmouth Museum is a Main Gallery juried exhibition featuring wall and free standing sculpture that can be touched by visitors. This exhibition is intended to help visually-impaired people overcome the barrier they experience at most museums by allowing everyone to experience art by touching. Sighted people will also learn to experience art without relying on their eyesight in addition to a visual artistic experience.
PLEASE CLICK THE TITLE LINK TO VISIT MONMOUTHMUSEUM.ORG
I am excited to have two of my mixed media mosaic sculptures and one of my ceramic mixed media sculptures chosen for the upcoming Monmouth Museum's Please Touch! Sculpture Exhibition opening on June 28, thru September 6, 2015.
My artwork centers on the visceral nature of gathering, wrapping, layering, breaking, forming and hand-piecing many elements to form a cohesive whole. Hand-crafting and hand-piecing is essential to building my mosaic and mixed media sculptures. Museum goers will have the opportunity to connect with my works through the powerful sense of touch. I find the concept compelling. This wonderfully progressive and inclusive Please Touch! exhibition will enable the visually impaired and the sighted to experience aspects of the kinetic and meditative energy that is imbued into my work. I am honored to have my sculptures chosen for such a wonderfully special exhibition that will allow the museum visitors to connect with me, my artworks and my intentions on such an intimate level. This is my first exhibition with Monmouth Museum. I can't wait to visit. I look forward to what I will learn from this interactive and transcendent creative experience. Gratitude.
Excited to be a featured artist in this wonderful article about the Stamford Downtown Dinosaurs Rule! outdoor sculpture exhibition that runs through an October charity auction.
Click the post title to read the article posted THEHOUR.COM.
Richard and I are honored to be participating artists in the fall outdoor sculpture exhibition on Saunders Farm in Garrison, NY. I'm currently, mosaicking a life-sized dairy cow. So excited. Will post WIP photos.
Dropped off my dinosaur in Stamford just in time for the brochure photoshoot. So much amazing talent and creativity on display. I am excited and honored to be a featured artist in the exhibition.
OPENING JUNE 10 THRU OCTOBER CHARITY AUCTION, 2015.
"Starosaurus" WIP Glass mirror and stained glass mosaic WIP. Excited to be participating in the Stamford Downtown, Art in Public Spaces, "Dinosaurs Rule!" 2015. This show is sure to be a blast. There will be 40 fantastical dinosaurs on display in downtown Stamford. Stamford, CT is one city that truly supports the arts and artists. I'm Honored to be in the show. The exhibition opens June 10, 2015 thru September. The dinosaurs will be auctioned off for charity in October. My "Starosaurus" is sponsored by the Stamford Town Center. So excited. Now, back to work!
" A beginner is surprised to see the number of pieces an experienced potter can place within the firing chamber." Zen and the Art of Pottery
"All of this requires unhurried attention and collaboration." Zen and the Art of Pottery
"...The mind visualizes the flow of the flame through the kiln and takes into consideration which glazes should be placed high or low, front or back, of the lion, for temperature and atmosphere will vary according to each kiln, each potter firing, and also according to the stacking pattern." Zen and the Art of Pottery
Tony Moore in the process of bricking up the entrance to the Noriborigama. This is also a long very detailed part of the kiln preparation for firing.
We made a line, as we passed kiln bricks to Tony in an orderly fashion.
Tony Moore has just finished placing the last kiln brick into place. The opening to the noriborigama is now closed. The time was 10PM. The kiln door will be mudded the next morning. Needless to say, I was tired from working a 13 hour shift. Loading Tony's Noriborigama was very slow and laborious. There was no way around the minute details that must be considered in measuring and stacking. That is essential work in loading any kiln. Still, I was extremely happy. I was able to experience the preparation for how the magic is made with the wood and fire inside the kiln. I also met some great potters who were so very generous with sharing their knowledge. And I saw some amazing works and techniques. The only way to learn is by doing.