Honored and excited to have my Holy Cow! recycled art glass mosaic sculpture featured in Monmouth Museum's 38th Annual International Juried Art Exhibition opening January 14, 2017 through March 13, 2017.
One of 200 handmade ceramic tiles from the April Tony Moore Wood Firing in Coldspring, NY. I am ecstatic about the results. This is the beginning of a long creative process that will culminate in thousands of handmade sculptural tiles for a large scale installation I am working on. So, there are many, many more wood firings, gas reduction and alternative firings to go. The beauty rests within the process...Patience....Gratitude...
After both the anagama and noborigama were completely unloaded. Tony engaged everyone in a discussion of the kiln results. Tony described the particulars of the firing process, as well as the unique challenges that contributed to what was most unique about the April firing. Tony encouraged everyone to share special glazing and surface results.
It was my first time participating in an unloading from beginning to end. I found it to be incredibly educational. I was excited to see so much amazing work with breathtaking results. I am already looking forward to the July firing.
The anagama and noborigama were unloaded systematically; the pots were laid out on pallets according to where they were originally placed inside the kiln. Therefore, one could see the atmospheric effects on the works.
One of my fellow crew members at the Tony Moore April Wood Firing Kiln Unloading. That's me in the background!
Unloading the anagram and noborigama involves cleaning of the kiln shelves and bricks...That makes for lots of dust and flying particles. Therefore, gloves and masks are essential gear.
Seth pictured here working on cleaning off the kiln bricks. Seth is a ceramic teacher from Brooklyn. His sculptures were amazing.
Shelita Birchett Benash with Tony Moore, sculptor and kiln master. I've learned so much in the year that I've been firing with Tony. I've met so many amazingly gifted potters and sculptors. I've been able to experience a sense of community, creativity and sharing with potters and sculptors from near and far. Catherine Thomas drives down regularly from Canada!
A birthday present for a wonderful mom. Her sons said, "Don't come home without the glass dinosaur." My Starosaurus will live out his days sunning by a pool.
I am honored and thrilled to have my sculptural work in dialogue with the compelling works featured as part of New Directions '15 at the Barrett Art Center.
The inspiration for the Holy Cow! crazy quilt mosaic came from the lot of salvaged stained glass that I received from a retired glass artist. As I picked through the scrap glass, I discovered many beautiful bits of art glass. The sumptuous pieces of colorful and unusual glass took on textile like qualities to me. At one point in my artistic journey, I made art quilts. I also, designed and sold art wear clothing. I had even developed my own unique way of crazy quilting that I called Skitzoscrap. For years, I was an avid collector of vintage and antique textiles and lace, which I incorporated into my art wear designs. The small bits of beautiful glass began taking on that same precious nature that I found when handling vintage and antique textiles and lace. I was compelled to make a scrap quilt mosaic that would include vintage art glass, stained glass and mirror. I was excited to bring that celebratory, frugal, regenerative and dynamic nature of the crazy quilt, into my mosaic design. After all, quilts and mosaics are psychically bound art forms.
There are pieces of hand-rolled glass in my crazy quilt mosaic that are over 30 years old. I used many unique and precious pieces of art glass that will never be made again. Over several months, I created an heirloom stained glass and mirror mosaic crazy quilt to adorn my Holy Cow!
The Holy Cow! crazy quilt mosaic has inspired me to create a series of heirloom mosaic quilts from scrap glass. My love of quilting and textiles has come full circle in glass. Bliss.
Grouting the beast! WIP.
This photo was taken during the Monmouth Museum's "Night at the Museum" tour for the visually impaired and blind. I was told that the children really enjoyed interacting with the compelling sculptures in the "Please Touch!" exhibition. I'm honored to have my sculptures in this creatively inclusive show where the aesthetic sense of touch is celebrated and where art is opened up to new and underserved audiences. This photo of a visually impaired child interacting with my "Helios Horse" truly warms my heart.
Richard and I will have sculptures featured in the outdoor sculpture exhibition on the 149 acre Saunders Farm in Garrison, NY. We are so very honored and excited to be participating in the 10th Year Anniversary of the Collaborative Concepts at Saunders Farm Project. It's a beautiful show that celebrates art, community and nature. Opening Saturday, September 5, 2-6PM (Rain dates: Sunday, September 6, or Monday, September 7.) Mid-Run Reception, October, 3, 2-6PM (Rain date: October 4. Last Day Exhibition is open to the public until dusk. October 31, 2015. Horses and cows roam the farm freely. Plan a God's Country picnic for day tripping the Hudson Valley. Hope you can make it!
The Farm Project 2015, Collaborative Concepts
Collaborative Concepts at Saunders Farm
We're celebrating our 10th ANNIVERSARY
this fall at Saunders Farm in Garrison, NY!
Saunders Farm is located on Old Albany Post Road, the historic earthen highway of the original route between New York City and Albany. The property begins with rolling pastures and culminates on a majestic ridge with 360-degree views of the Hudson Highlands. Black Angus cattle roam free. Sites for art range from intimate woody glens to open fields and dramatic vast expanses defined by stone walls.
Honored to have my sculptural works chosen as part of this dynamic interactive sculpture exhibition that celebrates touch as part of the aesthetic appreciation of art. June 28 thru September 6, 2015
Excited and honored to be among so many very talented artists. It's a beautiful exhibition.
Excited to have three of my mixed media sculptures chosen for this wonderfully compelling and inclusive exhibition for the visually impaired.